Archive for May, 2009

I was talking to the bass player Judy (of Judy and Bob) at West Folk over the weekend about the Butte Folk Festival.  She said that she and Bob had called to reserve a hotel room in Butte for the festival weekend and the town is all booked up.  Last year, Curtis & I parked our RV on N Washington St. for the entire festival weekend and didn’t get asked to move.  This worked out to be a great spot with easy access to the main (Original) stage.  There are a few spots that are level on that street and it’s adjacent to a field where some folks pitched tents last year.  Other pickers were parked nearby and we jammed on Saturday night after the shows.  The Butte Folk Festival is all free of charge.

We’re hoping to park near the same spot again this year.  We’ll look for other MRBAs there.

Butte Folk Festival map

Butte Folk Festival map

Montana bluegrass fans are in for a real treat this summer with the appearance of Sierra Hull at the Butte Folk Festival.  She’s the young mandolin sensation that Alison helped launch her career with the invitation to join the AK and Union Station band on stage at the Grand Ole’ Opry when Sierra was in the 6th grade. 

Here are a couple of clips from that performance:

and her she is smokin’ on “Virgil Calhoun” at MerleFest last summer

and recently in an interview about her latest Rounder project

Here’s a copy of a nice write-up about the Butte Folk Festival that was printed in the Montana Standard

Folk Festival readies for 2nd year

 

By Kahrin Deines Associated Press Writer – 05/25/2009

HELENA — The lineup for the second National Folk Festival taking place in “Butte, America” this summer stars about 250 singers, dancers and other artists, along with hoofed performers from all over Montana.
The three-day multicultural event, which is riding with a theme of Western horse culture, is expected to bring about 150,000 visitors — double the number visiting last year — to the old mining center nestled near the mountains of the Continental Divide. Plateau, Appaloosa and other Montana-bred horses will also be in attendance to prance in a parade and participate in arena demonstrations, from trick roping to draft-team driving.

The festival, taking place July 10-12, is in its second year of a three-year engagement with Butte, which was chosen over 22 other cities to host the event by the National Council for the Traditional Arts. Since 1934, the council has chosen 26 communities across the nation to present artwork and performances that celebrate American folk culture.

“This will be the only time the festival will be out West perhaps in our lifetime,” said Barbara Miller, director of fundraising for the event.

Denver was the last Western city visited by the gala in 1966.

For its return to the West last year, thousands of dollars were spent reinforcing a headframe at a former mine yard turned 10,000-seat amphitheater that serves as the event’s main stage.

A marketplace was organized to showcase the work of Montana’s Native American artists and other regional craftspeople. And the arrival of an estimated 75,000 people revived the copper mining town’s heyday as a major destination on the vaudeville circuit, when it attracted such marquee names as Charlie Chaplin, W.C. Fields and Clark Gable.

“Butte used to be called the Las Vegas of Montana. There were five train routes coming from all directions,” said George Everett, the festival’s director.

For this year’s festival, 21 separate acts will be performing on six separate stages.

Although special attention falls to Western culture during its Butte incarnation, visiting artists will roll in from all over the country, bringing everything from the sounds of bluegrass and gospel, to Mariachi music, a Finnish kantele harp musician and the traditional sounds of Balkan tambaritza as played by Eastern European immigrants in the Midwest.

Last year the festival cost an estimated $1.4 million, but a survey completed by the University of Montana found it generated about $8 million in revenues for businesses in the region, Miller said.

Organizers estimate they must raise about another $200,000, of a total $1.2 million, to stage the festival for the second time this year.

“This is the year of the great recession, so of course it’s been a great challenge, but there’s way more folks coming forward with smaller amounts this year,” Miller said.

The fundraising crunch also eased a bit when the Montana Legislature approved spending $200,000 in state money on the event over the next two years. And The Dennis and Phyllis Washington Foundation, which is funded by a group of companies headquartered throughout Montana, recently made a grant of $100,000, which is 10 times what it contributed last year.

The event also requires an army of close to 1,000 volunteers. Many of them contribute a four-hour shift and then set off to explore the festival.

“It’s a great opportunity to have a great time in your own backyard and we’re hoping people in the area will stop by on their way to Yellowstone and Glacier,” Everett said.

 

According to the festival Web site, www.nationalfolkfestival.com, the lineup of more than 250 acts will include: Magic Slim & the Teardrops, Beausoleil Avec Michael Doucet, fiddler Texas Shorty, North Bear (Northern Plains drumming group) and Sierra Hull & Highway 111.

 reprint from article on LibbyMT.com

Bluegrass Pasture Pickin’ May & August
Great music, casual, old-time, bluegrass and country pickin and singin
by Dawn Ballou and Maggie Craig, LibbyMT.com
May 20, 2005
Pasture Pickin’ is a twice a year gathering of musical friends in a pasture in Libby. Once in the spring, and again in the fall, hundreds of people from all over North America and Canada gather to share music and song. Pasture Pickin’ has been an annual event for more than 10 years, growing each year. This year approximately 145 RVs and campers are expected to attend the event in May and August. Pasture Pickin’ is NOT a music festival. It is by invitation only.

Organizers do not charge admission or try to make a profit. It is best described by the words on their website, www.pasturepickin.com, “What Pasture Pickin’ is about is friendship, bound by a love of music of all kinds, and a deep and abiding respect for one another as human beings. When friends are sick, we pray. When it pours down rain or snow, we gather around a barrel stove in the barn and play all night long. When it turns unmercifully hot, we gather beneath the trees or simply wait until later in the day, then play all night long. Most of all, Pasture Pickin’ is about friends, both old and new and the music itself.”

The spring session Pasture Pickin’ starts on Sunday, May 29th and goes through Sunday, June 5th. The second session starts Sunday, August 14th and goes through Sunday, August 21st.

If anyone reading this story would like to participate, please remember that Pasture Pickin’ is by invitation ONLY. If you don’t know anyone who has ever attended, send an e-mail message to the organizers at music@pasturepickin.com describing why you want to attend.

In order to keep things running smoothly, the organizers have a few rules. Campers should note they will be staying on private ground, not a public campground. This is a dry camp situation in the middle of a pasture a few miles up Pipe Creek road north of Libby in scenic mountain country near the Kootenai National Forest.

There is a ZERO tolerance for drugs at Pasture Pickin’, with no exceptions to this rule. Anyone caught using or having drugs will be escorted off the property.

Children must be with their parents at all times and must be watched closely. Pets are welcome, but must be well-mannered and kept on leashes away from your own campsite. Owners must pick up their animal’s waste droppings.

The property owners and Pasture Pickin’ organizers are not responsible in any way for lost, broken or stolen property or personal injuries during the event.

For more information, contact Dale Berg at 406-293-6608, or e-mail: music@pasturepickin.com.

Directions to Snyder Field: From Libby, travel north on Hwy 37. About ¼ mile across the Kootenai River bridge, take a left onto Hwy 567 (Pipe Creek Road). Travel on Pipe Creek road for 5-1/2 miles. The Snyder place is on the right, address 5502 Pipe Creek Road. During Pasture Pickin’ time you won’t be able to miss the field with campers and motor homes. If you get lost, call Dale or Dorothy Berg on your cell phone at: 406-293-6608.

Big Jam - photo from www.pasturepickin.com

Big Jam - photo from www.pasturepickin.com

Press Release

The 4th Annual Grand Targhee Bluegrass Camp will be held August 18-21, preceding the Targhee Bluegrass Festival.  Located at the Grand Targhee Resort in Alta, WY, the setting is ideal for getting away from the daily grind and spending some quality time in the mountains picking and singing.

Headlining the all-star line up of instructors is Darrell Scott, who will be returning by popular demand to teach songwriting.  The staff also includes Casey Driesen (fiddle), Tony Trischka & Danny Barnes (banjo), Tyler Grant (guitar), Brian Wicklund (mandolin) and Eric Thorin (bass). Using bluegrass music as the common language, the camp focus is on individual instrumental skills and on group playing and jamming. Each day is comprised of morning and afternoon classes, elective workshops, jam sessions (both structured and unstructured) and evening performances.  The camp is has built a reputation for its relaxed and intimate vibe; a place where pickers make new friends, find inspiration, and get to play with and know the instructors.

Says camp director Ben Winship, “I think this camp is one of the best kept secrets in acoustic music -  our classes are small, the staff is amazing, we have a killer setting and great food. What more do you need?”

For additional information visit:
http://www.grandtarghee.com/summer/music-festivals/music-camp.php
or write to: bluegrasscamp@benwinship.com

Norris Hot Springs

Norris Hot Springs

This Memorial Day – Monday May 25th, Norris Hot Springs will be hosting their 5th annual Holy Bucket Bluegrass Festival. Enjoy a soak in the Water of the Gods while listening to the best live acoustic music in the region. Featured performers this year:
4:00 The John Lowell Band

5:30 Anne & Pete Sibley

7:30 Sally Newsome & the Norris Hot Strings


John Lowell, the founder and cornerstone of nationally acclaimed Kane’s River, is a master of driving rhythm and inventive flatpicking lead guitar. A sensitive, clear-voiced singer, John is hailed as one of the genre’s finest songwriters. His work has been performed by Bluegrass Etc., Valerie Smith, and other national recording artists. This year’s festival set will feature over fifteen of John’s great original compositions. John is a veteran of Wheel Hoss, one of Montana’s best early bluegrass bands, and he toured with Loose Ties throughout the 90s. He has released three well-received recordings with Ben Winship as the Growling Old Men. John was honored by Flatpicking Magazine with a cover photo and feature article in their January, 2009 issue. The John Lowell Band will feature Russ Smith on the doghouse bass and the hot picking Tom Murphy, on the mandolin.

This Year’s First Place Winners of Prairie Home Companion’s annual talent show, the Great American Duet Sing-Off, Anne and Pete Sibley are about the vocals – the words and the harmonies. Anne & Pete have been singing together since they met in their high school choir. They were inspired by duet performers of traditional acoustic music when they began performing at their local Hootenanny in Jackson, Wyoming. Anne’s powerful songwriting, vocals and guitar paired with Pete’s solid melodic clawhammer banjo and soulful harmonies highlight their recordings and live performances. Since 2004 they have been offering their blend of original folk, bluegrass, old-timey and traditional yet original songs to wider audiences. They played at Merle Fest last month and will be performing on the main stage at Colorado’s Rocky Grass festival this July. Don’t miss this great chance to hear locally one of the best duets in the business.

Sally Newsome and Tom Murphy starting playing music next to the pool at Norris Hot Springs five years ago. It soon became clear that soakers counted on the poolside performances, coming as much to hear these talented performers as to heal their aching bodies in the Water of the Gods. Thus began the tradition of live acoustic music at Norris. When Kris Clone returned to Montana that same year, the Norris Hot Strings were formed. For the next two years Sally and the Norris Hot Strings played in the Poolside Dome twice a week, often joined by their friend Quinton King on lead acoustic guitar. Sally Newsome, a native to Bozeman, grew up singing. She was lead singer right our of high school for various bands including The Sol Congress and Bluejack, before picking up the guitar in 2000 and beginning her own songwriting. Sally’s amazing voice and warm stage presence have become a favorite to all that have been lucky enough to catch her performances. There’s a special magic that happens when Kris, Quinton and Tom lock in to Sally’s vocal groove. It is a rare treat to behold.

So check out The Holy Bucket. Montana Meat on the grill, local salads and specials, T-shirts and hats, and cold beer, wine, and soft drinks will be for sale. Gates open at 3:30. Tickets are an affordable $15 /adults and $3 /kids under 12, for an evening of music and a memorable soak. No Advance Sales. Rain or Shine. Please Carpool. For their sake, leave pets at home.

Mike & Tari Conroy host an annual Memorial Day bluegrass campout at West Fork Campground near Darby, MT

Date:  May 22-25

Location:  West Fork Campground

Bring food for potluck dinners and breakfast on Sunday.  Tari cooks gravy for the bisquits in the worlds largest skillet on Sunday morning.  Bring warm clothes, it is COLD up there this time of year.  It often rains and sometimes snows.  There are  heated wall-tents for jamming and a big campfire to huddle around.

Pictures from West Fork ’08

Click for Google Maps and Directions

Click for Google Maps and Directions


Google Map

Click for Google Map and Directions

Check out our very own Caleb Dostal performing his original banjo tune Skukumchuck at Kamiah last weekend.

Caleb’s now playing in the band JD Webb and The Downstate Ramblers made up of:

Jd Webb – Guitar
David Gerthung – Mandolin
Judy Webb – Bass
Caleb Dostal – Banjo

You can also see Caleb playing with The Black Mountain Boys every Tuesday night at the Missoula Wheat Montana on Reserve and 3rd.

Dallas Olsen, the President of our Association, attended the Idaho Sawtooth Bluegrass Association Super Jam 2009 this past weekend in Kamiah, Idaho.  Here are some pictures that she took at the event:

MRBA Member and photographer, John Jamieson is just back from Merlefest 2009 and has this review and pictures to share with us.  Thanks for all the great pictures John.  It sounds like a wonderful time.


 

MerleFest is known as the “opening act” for the Summer festival season in the United States.  Over a four day weekend in April, close to 75,000 people came to hear great music, learn traditional dances and jam into the wee hours.  The festival started 22 years ago as a celebration to remember Merle Watson, Doc Watson’s son, who was killed in a tractor accident.  The 1988 event was held on two stages over two days and featured Doc Watson, Earl Scruggs and fiddler Jim Shumate, Tony Rice, Chet Atkins, Grandpa Jones and daughter Alissa, Marty Stuart, Mike Cross, New Grass Revival, David Holt, Jack Lawrence, The Smith Sisters, John Hartford, Mark O’Conner, Jerry Douglas, George Hamilton IV, and a few others.  Today there are fifteen stages hosting nearly one hundred acts using professional lighting and sound from Nashville.  Over a thousand volunteers make this one of the best organized and run festivals in the United States.

The music is “Americana” or “traditional plus” as Doc Watson calls it.  Everyone is represented, from big acts like Emmy Lou Harris, Linda Ronstadt, Jack Lawrence and Del McCoury to small family acts from small towns playing very traditional music.  There’s three small tents for pickers: “Traditional Old Time Pickin’ Tent”, “Anything Goes Pickin’ Tent” and “Bluegrass Pickin’ Tent”.

Bluegrass was the most prominent music at this year’s festival, but good acoustic blues players, old-timey family bands, folk music and pure traditional music was everywhere.  One of the highlights was the large Traditional Tent that hosted the old-time musicians, dancers and callers with lots of fiddlers, clawhammer banjo players and guitarists in their seventies and eighties playing for the dancers.

In addition to the “traditional plus” music, the festival also hosted heritage crafts demonstrations, instrument picking contests and a song writing contest. 

There also were lots of “shoppes” selling the type of stuff these big festivals seem to attract, and a gigantic food tent that featured truly heart-stopping deep-fried southern specialties.

A nice touch were the local camping facilities in and around the town of Wilkesboro.  Jamming there went on until five or six in the morning and some people in the camping areas never get to the festival itself because the music is so good at the campgrounds.  One campground has been set up every year on the grounds of the local waste-water treatment plant.  The camp has acquired its own identity and even sold T-shirts that said “Sewerfest 2009″.  Unfortunately I didn’t move fast enough to buy one of those.

I stayed at the Addison Inn, a local motel in Wilkesboro.  Every room was booked, mostly by MerleFest for the musicians playing in the festival.  In the evening, after the last act had finished at the festival, some incredible jamming was happening back at the motel in the rooms, on the balconies outside the rooms, in rooms off the main lobby and out by the cars in the parking lot.  The weather reached ninety degrees during the day and the evening temperatures in the seventies were a welcome relief from the day’s heat and just right for making lots of music.

I have to say that fifteen stages can be a big problem when two of your favorite acts are playing at the same time.  The festival has dealt with this potential problem by having most of the acts do a second performance the next day at another stage.  It seems to work.

The very best thing about MerleFest is that its all about the music.

-John Jamieson
jamo2@centurytel.net